SKU: 51644613064

THE CHARLTON COMICS' BLUE BEETLE SERIES: VOLUME ONE BLACK & WHITE EDITION

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THE CHARLTON COMICS' BLUE BEETLE SERIES: VOLUME ONE BLACK & WHITE EDITIONDan Garrett studied archaeology in Egypt, when he found a magical scarab in the tomb of Kha ef Re. With this scarab and the words Kaji Dha he was endowed with superhuman strength, the ability to fly, and he could shoot lightning from his hands as the BLUE BEETLE. BLUE BEETLE was first published by Victor Fox's outfit. The title was then transferred to Holyoke Publishing and eventually wound up back at Fox. After Fox closed shop, the BLUE BEETLE landed

Dan Garrett studied archaeology in Egypt, when he found a magical scarab in the tomb of Kha-ef-Re.
With this scarab and the words ÒKaji DhaÓ he was endowed with superhuman strength, the ability to
fly, and he could shoot lightning from his hands as the BLUE BEETLE.
BLUE BEETLE was first published by Victor Fox's outfit. The title was then transferred to Holyoke
Publishing and eventually wound up back at Fox. After Fox closed shop, the BLUE BEETLE landed at
Charlton Comics.
Charlton Comics' first issue of the BLUE BEETLE started with number 18, picking up the numbering from
the recently canceled title THE THING. Issues #18 and 19, abetted with new covers, only contained
reprints from the Fox Publishing series. Issues #20 and #21 contained brand new stories, although #21,
published in August of 1955, was to be the last issue.
Charlton's next BLUE BEETLE series began with issue #1 in June of 1964 and lasted five issues, ending in
April 1965. In July of 1965 Dan Garrett as the BLUE BEETLE returned for five more issues, this time
beginning with issue #50, picking up the numbering sequence from the defunct UNUSUAL TALES series.
Although this was the end of Dan Garrett's time as the BLUE BEETLE, Charlton would soon pull another
bug out of their hat

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SKU: 51644613064

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compact surrounds that blend well with the right setup
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I picked up the Klipsch R‑40M as part of a full 5.1 system built around the R‑50M fronts and the R‑50C center. My original plan was to use another pair of R‑50M speakers in the back, but they simply didn’t fit in the rear cabinet space I have. The R‑40M ended up being the only model that fit comfortably, so they became my surround channels. In terms of build quality, they feel solid and consistent with the rest of the Reference Next‑Gen line. The copper woofers and updated horn design give them the same visual identity as the larger models, which helps the whole system look cohesive. They’re compact enough to place in tighter spaces without compromising too much on performance. Sonically, the R‑40M does a respectable job as a surround speaker. Effects are clear, directional cues are easy to follow, and they integrate smoothly with the more powerful R‑50M fronts. That said, they are noticeably less powerful than the R‑50M, so you need to spend a little time balancing your levels. Once I bumped their channel trim a bit and adjusted the distance settings, the rear soundstage locked in nicely and felt much more even. They won’t deliver the same fullness or dynamic punch as the larger models, but for rear channels that’s usually not a deal breaker. What matters is clarity and consistency, and the R‑40M handles both well. Movies with active surround mixes feel immersive, and ambient effects wrap around the room without calling attention to the speakers themselves. If you’re building a system where space is limited in the back, the R‑40M is a practical and capable choice. Just be prepared to fine tune your calibration so they match the output of the bigger speakers up front. Once dialed in, they round out a 5.1 setup very effectively.
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These R50 Studio Monitors are worth every penny. One could easily spend a heck of a lot more to get less. Have been a pro audio engineer my entire life. These monitors kick out clean, solid bass and accurate highs. Klipsch did a excellent job designing these monitors. Perfect for smail spaces where fidelity is critical. If you wall mount these, make sure you leave at least a 1.5 inch air gap between the back of the monitor and the wall. These units are sweet.
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I had in ceiling front speakers and went with these instead. The front ceilings are now height speakers. Sounds great now.
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