SKU: 8296358077

Travira 26" Square Bistro Table TV24STA by Oxford Garden

Sale price$499.63 Regular price$555.14
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Description

Travira 26" Square Bistro Table TV24STA by Oxford GardenA clean and contemporary design, the Travira 26" Square Bistro Table (TV24STA) by Oxford Garden will transform your commercial or residential outdoor space with a bold statement. This modern, mixed material piece combines classic styling with a contemporary appeal, while sturdy all weather construction ensures lasting performance across the seasons. Its durable, powder coated aluminum frame in a Flint grey finish, and welded heavy gauge construction

A clean and contemporary design, the Travira 26" Square Bistro Table (TV24STA) by Oxford Garden will transform your commercial or residential outdoor space with a bold statement. This modern, mixed-material piece combines classic styling with a contemporary appeal, while sturdy all-weather construction ensures lasting performance across the seasons. Its durable, powder-coated aluminum frame in a Flint grey finish, and welded heavy gauge construction with stainless steel hardware are made to endure in any outdoor setting, rain or shine. Natural or Vintage Tekwood accents provides the look of teak with minimal weathering and maintenance. The Travira Collection is perfect for everyday use in both commercial and residential settings while creating a bold statement for your outdoor space.

Includes

  • One (1) Travira 26" Square Bistro Table TV24STA

Dimensions

  • W 26" x D 26" x H 29.5"
  • Weight: 52.5 lbs

Features

  • Premium commercial-grade materials ensure durability and longevity for both commercial and residential spaces
  • Fully welded, commercial quality frames with stainless steel hardware are lightweight, sturdy, and rust proof
  • Rustproof powder-coated aluminum frames treated with a multi-step finish for maximum outdoor protection
  • Leg end caps provide protection against marring and scratching of surfaces
  • Tekwood table top provides the look of teak with minimal weathering and maintenance
  • Table top is CNC milled aluminum with slats to prevent excess water build-up
  • Bases are made with electroplated galvanized steel bases to provide additional weight and strength making items sturdy, safe, and reliable.
  • Some assembly required

Warranty

Oxford Garden's warranty covers manufacturing defects; normal wear and tear is not included. With a little bit of care, your Oxford Garden furniture will outlive the warranty by many years.

  • Frame: Oxford Garden warranties all powder-coated aluminum frames for a period of five (5) years from the date of purchase against structural failure.
  • Finish: Oxford Garden warranties the powder coat finish on all aluminum frames for a period three (3) years from the date of purchase against peeling, flaking and blisters.
  • Hardware: Oxford Garden warranties all hardware used in the construction of its outdoor furniture for a period of three (3) years from the date of purchase to be free from defects and against structural failure.
  • Teakwood: Oxford Garden® warranties Tekwood products for a period of three (3) years from the date of purchase against structural failure.
  • Electroplated Steel: Oxford Garden warranties all electroplated steel for a period of one (1) year from date of purchase against structural failure and on the electroplated finish against peeling, flaking and blisters. Oxford Garden® does not warranty electroplated steel again rust.

Care & Maintenance

Frame Care: Simply hose off or wipe down your frame to clean it! Avoid using harsh cleaners, brushes or power washers, which could damage the finish. Regular maintenance of the furniture will extend its life and will keep it looking beautiful.

Tekwood Care: Tekwood products should be cleansed using mild, non-abrasive cleaner and rinsed well. Over time, Tekwood's color may darken slightly if exposed to sun and other natural elements. This process cannot be reversed however, it does not affect the structural integrity or aesthetic of the product. To prolong this process, Oxford Garden recommends bringing furniture indoors or covering when not in use or during non-seasonal months. To prevent staining, use a furniture polish or protectant that is labeled safe for plastic materials prior to use.

About the Manufacturer

For more than 20 years, Oxford Garden® has created outdoor furniture with thoughtful design made right. This philosophy permeates everything we do. Our products enhance commercial and residential spaces, creating luxurious outdoor living experiences that stand the test of time. Beginning with our design process, each piece of furniture is tailored to achieve a balance of form and function. We believe outdoor furniture should be both comfortable and attractive. With this in mind, we create ergonomic pieces designed to accommodate the contours of the human body.

During the construction process, we're always looking for ways to make a bold statement and our materials are selected for their beauty with proven durability in outdoor conditions. We strive to produce beautiful and distinctive pieces to enhance the essence of any outdoor setting. Each piece is crafted with commercial-grade quality to deliver superior comfort and performance that can be enjoyed for years. With Oxford Garden, you don't have to sacrifice on quality or design to get the most for your outdoor furniture investment.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 8296358077

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A
A. Jimenez
Louisville, US
★★★★★ 3
Well intentioned but ignorant
It's clear that this author is well intentioned. He betrays his own ignorance in trying to justify why his book only addreses certain native nations, however. The author indicates that the book did not address the native peoples of the Caribbean because they are extinct. To state that the Taino and Carib are extinct is at best extremely ignorant and at worst racist. The Taino and Carib are very much alive. To begin with, there is a reservation of Carib Indians on the island of Dominica. These native people have retained their language and culture. Further, there is a Taino Revival movement happening throughout the major Antilles especially in the Dominican Republic, Puerto Rico and Cuba. It has been scientifically proven via DNA analysis that these people are of partial and in some cases total native descent. The Taino language is being heard and taught again in the Caribbean and Taino culture has always been an integral part of the the customs and culture of the major Antilles. It is very unfortunate to know that even this author is ultimately just another white guy bent on ignoring " incovenient truths ".
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 25, 2012
T
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Terry L.
Battle Creek, US
★★★★★ 5
Recommend
Tells the other side of the story you didn't get in U.S. History class. Good read.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 15, 2015
G
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George Vargas
Battle Creek, US
★★★★★ 5
Five Stars
Outstanding book on the general history of European barbarism.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 26, 2017
H
Verified Purchase
Howard
Bozeman, US
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
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Reviewed in the United States on July 24, 2015
A
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AlanWarner
Belleville, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015

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